the-further

Max Macready’s “The Hunt” feels like a transmission recovered from a future that never quite

Elizabeth Perran’s February is the kind of debut that refuses to introduce itself politely. Across

Red Head Redemption’s Sunny With A Chance Of Fallout is an EP built around one

Melody Briar’s “The Intangible Man” is a quietly devastating meditation on what happens to a

Atticus Kane’s “Love Me Not” turns an absurdly ordinary intrusion into a surprisingly searching examination