If you’ve been craving something a little different in your music rotation, Immaterial Possession might be exactly what you’re missing. The Athens, Georgia group sits in that sweet spot where genres blur together, pulling from folk, psychedelia, post-punk and pop without ever feeling messy or overdone. It’s playful, a bit mysterious, and always interesting.
At the core of the band are Cooper Holmes and Madeline Polites, who started shaping the project after moving from Atlanta to Athens. That shift opened things up creatively, and you can hear it in how free their sound feels. They’re not chasing trends. They’re building something that feels entirely their own.
Live, they’ve built a reputation for shows that feel more like immersive experiences than standard gigs. There’s a strong visual side to what they do, with a DIY energy that makes everything feel personal and slightly offbeat in the best way.
Their self-titled debut in 2020 introduced that world, and things only grew from there. After signing with Fire Records, they reworked that release and followed it up with Mercy of the Crane Folk in 2023, which further sharpened their sound and direction. Since then, they’ve toured across the US, UK and Europe, steadily growing a fanbase that’s clearly along for the ride.
Recent tracks show just how wide their range is. Some lean into catchy, direct hooks, while others drift into more hazy, layered territory. Their latest release, “In the Loom,” feels like a step deeper into that hypnotic side, hinting at what’s coming next.
With a third album on the way, Immaterial Possession aren’t just making songs. They’re creating a whole atmosphere, and it’s one worth stepping into.
