Supahoney’s latest album, Wishing In A Fishbowl, is a captivating dive into their evolving sound and emotional depth. Following the buzz around their four singles—’I Wish,’ ‘Wishing In A Fishbowl,’ ‘Steve,’ and ‘Foreigner’—this album feels like the band’s most ambitious and heartfelt work to date.
From the start, the album’s opener, ‘Steve,’ grabs your attention with its catchy melodies and introspective lyrics. It’s a strong beginning that sets a high bar for what follows. Next up, ‘Foreigner’ takes over with its memorable hooks and energetic vibe, showcasing Supahoney’s talent for creating tunes that stick with you.
What really stands out about Wishing In A Fishbowl is the band’s willingness to experiment with different sounds. ‘Flieger’ is a standout, blending sparse, atmospheric textures with a hint of electronic influence to create a dreamlike, otherworldly feel. In contrast, ‘Bunyip’ brings a burst of dynamic energy with its intricate rhythms and vibrant beats. Tracks like these highlight Supahoney’s fearless approach to exploring new musical landscapes.
For me, the emotional heart of the album is ‘I Wish.’ This track, with its rich string arrangements by Jenny McCullagh, Lily Innis, and Aidan Filshie, feels incredibly poignant. Recorded in the historic Old School Building at The University of Sydney, the song takes on a special, almost magical quality. The strings add a depth and warmth that truly resonate, making it one of the album’s standout moments.
As the album unfolds, ‘Tumble’ offers a refreshing mix of country-inspired elements and intricate rock dynamics, showing off the band’s ability to seamlessly blend genres. And then there’s ‘Kogarah,’ which brings everything to a powerful and emotional close. It’s a sweeping track that ties together the album’s themes and leaves a lasting impression.
Tracks like ‘Faust’ and ‘Diptych’ further enrich the album. ‘Faust’ continues the adventurous spirit with its intriguing mix of sounds, while the closer ‘Diptych’ wraps things up as an epilogue, feeling like a dream coming to an end.
The production on Wishing In A Fishbowl is spot-on, thanks to Supahoney’s choice to self-produce at Jim Moginie’s Oceanic Studios, along with the guidance of four-time ARIA-winning producer Wayne Connelly. The result is a polished yet deeply personal sound that perfectly captures the band’s vision. The diverse contributions from guest musicians add even more layers to the album, enhancing its richness.
All in all, Wishing In A Fishbowl feels like a significant step forward for Supahoney. It’s a beautifully crafted album that balances introspective lyrics with bold sonic experiments. As a listener, you’re treated to a journey that’s both intimate and expansive, showcasing the band’s growth and creativity. This album is definitely a milestone in Supahoney’s musical journey, and it’s one you’ll want to experience for yourself.
